Legs Out, Chest UpPose Reference

Nothing here leans or twists. Both legs run straight ahead side by side, heels on the floor and toes pointing up, so the lower body forms one long flat block. The arms drop straight from the shoulders and the hands land right beside the hips, palms flat with the fingers turned outward, not tucked behind the body. Because the hands are under the shoulders rather than behind them, they lift the ribcage instead of propping a recline: the upper back arches slightly, the chest rises, the shoulders pull level and wide. The head sits squarely on top, chin level, eyes forward. It is the posture of someone sitting tall on purpose.

Think in two rectangles joined at the hip: a horizontal one for the legs and a nearly vertical one for the torso, with the arms as two parallel columns down the sides. That symmetry is the hardest part to draw convincingly, because any small tilt becomes obvious. The front view foreshortens the legs into a short wedge, so measure the soles against the knees and pelvis. The side view from the figure's left is the clearest for the near right angle at the hips, the torso only a few degrees past vertical, and shows that the near arm hangs almost plumb. The low angle sets the lifted chest and level shoulders above the foreshortened legs, while the back view shows the two arms framing the torso like matching brackets.