Crouch, Looking AsidePose Reference

Both feet stay on their balls with the heels lifted and tucked under the seat, so the pelvis almost rests on the heels while the knees stay pressed together in front of the chest. That narrow, raised-heel base would rock on its own, and the right arm fixes it: it drops nearly straight from the shoulder and sets the palm flat on the floor beside the right foot, turning a two-point crouch into a tripod. The torso tilts toward that support, so the right shoulder sits lower than the left. The left arm folds across the front of the body and the hand rests on top of the left knee, elbow pointing out to the side. Finally the neck rotates sharply to the right and the head follows, the face looking out past the right shoulder toward the planted hand.

Draw the legs as two stacked wedges. In the side view from the figure's left, thigh lies on calf, the raised heel tucks under the buttock and the whole lower body becomes one compact block about knee high. The front view is clearest for the tripod: the straight right arm stands as its own column beside the shins while the left elbow juts the other way. From the three-quarter angle the left forearm crosses in front of the knees, so leave a sliver of gap between wrist and thigh. The back view hides the face and shows only the turned head above a tilted back.